PICTURES OF THE BIBLE © Serge Ceruti and Gérard Dufour 2008
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You have chosen this picture La dernière cène;
DUCCIO; 1308-11, tempera sur
bois; Museo dell'Opera del Duomo, Sienne
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Banquets : The Last Supper |
TO UNDERSTAND THE SCENE |
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WHAT CAN BE SEEN I THIS PICTURE
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... AND IN OTHER IMAGES
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It should not be confused with
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All these pictures illustrate a meal with a varying number of guests. Some details allow to recognise them and to prevent any confusion. |
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Le souper à Emmaüs ; Diego VELASQUEZ ; 1620 huile sur toile ; Metropolitan Museum of Art, New York
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This is a more intimate meal with the risen Christ and the two pilgrims at Emmaus who recognise him when he shares bread. See the Pilgrims at Emmaus |
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Les pains et les poisons;1372 Miniature de la "Bible Historiale" de Petrus Comestor,(manuscrit "Den Haag, MMW, 10 B 23") ; Museum Meermanno Westreenianum, The Hague
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The apostles are distributing among the crowd the loaves of bread and the fish Jesus has just multiplied to feed those who have followed him. The miracle of the Loaves and Fish is represented in different ways and can resemble a meal as in this miniature. |
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Fête dans la maison de Simon le Pharisien; Pierre Paul RUBENS; vers 1618 huile sur toile, Musée de l'Ermitage, Saint Petersbourg
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Another meal but here a woman kisses the feet of a man or wipes them with her hair; it is either called “Christ at Supper with Simon”, or “The Unnamed Woman at Simon the Pharisee’s”, or even “The Feast at the House of Simon”. |
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Jésus est oint à Béthanie; CAROLSFELD, Julius Schnorr von ; 1851-60 gravure pour la "Bibel in Bildern"
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This is a festive meal with Jesus and a woman in the foreground but this time the woman is standing and is pouring some perfume on Christ’s head; it is the Unction at Bethany. |
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Les noces de Cana; Martin de VOS; 1596-97, huile sur panneau; O.-L. Vrouwekathedraal, Anvers
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Still another banquet but stone jars are in the foreground or very visible; it is the Wedding at Cana See the Wedding at Cana |
THE BIBLICAL NARRATIVE
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La dernière cène; DUCCIO; 1308-11, tempera sur bois; Museo dell'Opera del Duomo, Sienne
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Banquets : The Last Supper |
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The Gospel according to Matthew, chapter 26 Now the first day of the feast of unleavened bread the disciples came to Jesus, saying unto him, Where wilt thou that we prepare for thee to eat the passover? Now when the even was come, he sat down with the twelve. And as they did eat, he said, Verily I say unto you, that one of you shall betray me. And they were exceeding sorrowful, and began every one of them to say unto him, Lord, is it I? And he answered and said, He that dippeth his hand with me in the dish, the same shall betray me. Then Judas, which betrayed him, answered and said, Master, is it I? He said unto him, Thou hast said. And as they were eating, Jesus took bread, and blessed it, and brake it, and gave it to the disciples, and said, Take, eat; this is my body. And he took the cup, and gave thanks, and gave it to them, saying, Drink ye all of it; For this is my blood of the new testament, which is shed for many for the remission of sins. But I say unto you, I will not drink henceforth of this fruit of the vine, until that day when I drink it new with you in my Father's kingdom. (Matthew 26:17-29) |
Comment The meal of the Last Supper is the Eucharist. This Greek word which means “giving of thanks” designates Christ’s Last Supper with his apostles. He identifies the bread and the wine as his body and his blood and he proclaims that his blood is the blood of the New Covenant between God and men until the end of time. This is the Eucharistic meal that Christians celebrate and share. The different churches give various meanings to this celebration and meal but for them all, it is a sign of active participation to the Christian community
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SIMILAR PICTURES
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Banquets: The Last Supper
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La dernière cène; DUCCIO; 1308-11, tempera sur bois; Museo dell'Opera del Duomo, Sienne
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Leonardo da Vinci has created a model with a long table in the foreground and the apostles in small groups; this model will have a long heritage. The disciple on the left of Christ is John the Evangelist painted with a feminine face to indicate his youth. |
La dernière cène; Leonardo da VINCI ; 1498 fresque ; Santa Maria delle Grazie, Milan
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La dernière cène; Andrea del SARTO; 1520-25 fresque ; Convent of San Salvi, Florence
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Pictures of the Last Supper are numerous and often contrasting, with open or closed space, reduced or enlarged scenes and various representations of Christ, Judas and John the Evangelist. |
La dernière cène; Domenico GHIRLANDAIO; 1480 fresque; église de Tous les Saints, Florence
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La dernière cène, « en vérité je vous le dis l’un de vous me trahira » ; William BLAKE ; 1800 tempera sur toile ; National Gallery of Art, Washington
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Poussin recreates an ancient context with men lying around the table; Holbein gives Judas the classic anti-Semitic features of the Jew. |
La dernière cène; Hans HOLBEIN; 1525 bois ; Musée des Beaux-arts, Bâle
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L’eucharistie ; Nicolas POUSSIN ; 1647 huile sur toile ; National Gallery of Scotland, Edinbourgh Olga's Gallery - Online Art Museum
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Two very similar representations but on different materials; a view from above onto a square table; Judas can hardly be recognised and John the Apostle is reclining on Christ’s chest only in the wood sculpture. |
La dernière cène; Dieric BOUTS; 1467 huile sur bois ; église Saint Pierre, Louvain
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La dernière cène; bois peint polychrome; 1498-1504 ; cathédrale de Tolède
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At the Last Supper, Jesus institutes the Eucharist; hence this meal has been turned into the Catholic mass with the distribution of the communion to the apostles and the Virgin Mary added by Fra Angelico. In Joos van Wassenhove, John has become an altar boy; Judas, relegated to the left corner, refuses communion while some spectators, contemporaries of the painter, are to be seen on the right. |
L’institution de l’Eucharistie; Frau ANGELICO; vers 1450, fresque; Museo di San Marco, Florence Olga's Gallery - Online Art Museum
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L’institution de l’Eucharistie; JOOS van WASSENHOVE; 1475 huile sur bois; Galleria Nazionale delle Marche, Urbino
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These two examples are breaking the traditional composition. Tintoretto represents at the same time an inn and the communion table, while Vouet puts emphasis on a secondary scene recalling the Miracle at Cana. |
La dernière cène; Simon VOUET; 1615-20 huile sur toile ; Palazzo Apostolica, Lorette
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La dernière cène; LE TINTORET; 1593 huile sur toile; S. Giorgio Maggiore, Venise
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Attention ce n'est pas la cène mais l'onction de Béthanie All the details of the Last Supper are present; only the presence of Mary Magdalene pouring perfume on Christ’s head allows the spectator to see the difference. The confusion is voluntary; at the Last Supper, Christ announces his imminent death and the perfume poured evokes the embalming that follows. |
Le repas de Béthanie; 1372 Miniature provenant de la "Bible Historiale" de Petrus Comestor; manuscrit "Den Haag, MMW, 10 B 23"; Museum Meermanno Westreenianum, La Haye
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La dernière cène;
DUCCIO; 1308-11, tempera sur
bois; Museo dell'Opera del Duomo, Sienne
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Banquets : The Last Supper |
| The Last supper is still celebrated. Christians commemorate Christ’s Last Supper with his apostles but they give it a slightly different meaning. It is called “mass” by Catholics, “holy supper” by Protestants and “holy sacrifice” by Orthodox Christians. It is celebrated particularly on the Thursday between Palm Sunday and Easter Day; it is called Maundy (or Holy) Thursday. Jesus after rendering thanks to God and before consecrating bread and wine, Catholics also give the Last Supper the name of Eucharist which means” thanks” in Greek; or even the name of communion to underline the community dimension of the meal. The early Christians used the Greek word “agape” which can be translated as “brotherly love”; this word has passed into the French language; French “agapes” designates a brotherly meal and, by extension, a feast.
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Meals have taken a sacred dimension in the Occident partly because of Christ’s Last Supper. To be together around a table, to share the same meal, to invite the stranger to one’s table are signs of communion proper to our civilisation. This supposes there are no obstacles linked to food prohibitions, or different statuses of social purity, or even segregation based on sex or age. To be able to eat together with friends or neighbours of different races, classes or religions is an advantage that is rather rare in the world and that has been possible partly thanks to Christianity. On the other hand, superstitious people are still apprehensive of “thirteen at table”; this number brings bad luck, an allusion to Judas who betrayed Jesus.
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Bread and wine were the two food staples of the Mediterranean With the expansion of Christianity, they have become the typical diet in the West. To evoke the Jewish Passover, the loaves or hosts used by Christians for communion, are unleavened. The bread we eat everyday is fermented and, because of the Last Supper, it has become almost sacred. It is not thrown away; it is cut and served with great care.
Just as the growing of vine has extended in order to celebrate mass, so wheat bread has become the distinctive sign of Europeans and its consumption is still spreading throughout the world without any religious reference. |
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BIBLE PICTURES © Serge Ceruti and Gérard Dufour 2008