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The Raising of Lazarus; Juan de Flandes; panel; Museo del Prado, Madrid

Web Gallery of Art

The Raising of Lazarus

TO UNDERSTAND THE SCENE

WHAT YOU CAN SEE IN THIS PICTURE...AND IN OTHER PICTURES

Lazarus comes out of his tomb; around him one can generally see two groups: Jesus and his disciples, and two women, Martha and Mary, who are Lazarus’ sisters.

Jesus holds out his hand while he commands Lazarus to come out; he sometimes holds a thaumaturgic rod like Moses. His disciples are listening to him and remain passive whereas the women are weeping and kneeling or prostrate. It is normally Martha, Lazarus’ sister, who intervenes most with Jesus. But Mary, the other sister, being according to the tradition identified with Mary Magdalene and with the sinning woman of the banquet at Simon’s house, is often in a prominent position.

The scene takes place in the open air, in the countryside or in front of a house. Some spectators put their hands before their faces to indicates, as the text does, that the corpse already stinks.

The evolution of the representation mainly concerns Lazarus’ tomb. One goes from an Oriental vision with a tomb actually dug out in the rock and Lazarus wrapped in bandages but standing, to a sarcophagus whose lid is lifted while Lazarus rises and draws aside his shroud. It is to be noted that he is small sized for he is like a child who has been reborn to a new life. Risen Lazarus is looking at Jesus or he stands as if struck with astonishment.

The complete narrative is rather difficult to represent for there are several places and movements. One finds cycles depicting the different scenes as in a comic strip but the most frequently represented scene is that of the raising itself

It should not be confused with

The Raising of Jairus’ Daughter; Ilia REPIN; 1871; oil on canvas; Russian Museum, St Petersburg.

Olga's Gallery - Online Art Museum

Two other scenes of raising from the dead can bring some confusion:

The Raising of Jairus’daughter. A leading citizen of Capharnaum has a 12-year old daughter; at his demand Jesus raises her to life, “the maid is not dead, but sleepeth” (Matthew 9:24)

The Raising of the widow’s son at Naim. Jesus comes across a funereal procession near the city of Naim. When he learns they are burying a widow’s only son, he commands him to “wake up” (Luke 7:12-16).

In both cases the dead are young and are not yet buried

Jesus raises the Widow’s Son; Julius Schnorr CAROLSFELD; 1850, engraving from “Bibel in Bildern”.

Education Environnement

THE BIBLICAL NARRATIVE

The Raising of Lazarus; Juan de Flandes; panel; Museo del Prado, Madrid

Web Gallery of Art

The Raising of Lazarus

Evangile selon Jean ch. 11

A Béthanie, vivent Lazare et ses deux sœurs Marthe et Marie, ce sont des amis de Jésus. Lazare étant très malade Jésus est appelé et accourt mais trop tard. Marthe demande à Jésus de donner la vie à son frère et proclame sa foi

"Oui, Seigneur, je crois que tu es le Christ, le Fils de Dieu, celui qui vient dans le monde."

Alors Jésus, frémissant à nouveau en lui-même, se rend au tombeau. C'était une grotte, avec une pierre placée par-dessus. Jésus dit : "Enlevez la pierre !" Marthe, la sœur du mort, lui dit : "Seigneur, il sent déjà : c'est le quatrième jour." Jésus lui dit : "Ne t'ai-je pas dit que si tu crois, tu verras la gloire de Dieu ?"On enleva donc la pierre. Jésus leva les yeux en haut et dit :

"Père, je te rends grâces de m'avoir écouté ... j'ai parlé, afin qu'ils croient que tu m'as envoyé."

Cela dit, il s'écria d'une voix forte : "Lazare, viens dehors !" Le mort sortit, les pieds et les mains liés de bandelettes, et son visage était enveloppé d'un suaire. Jésus leur dit : "Déliez-le et laissez-le aller."

LIRE le texte entier

Signification

La résurrection de Lazare est un « signe » par lequel Jésus annonce qu’il est la vie nouvelle. Mais elle est un simple retour à la vie et donc très différente de la Résurrection du Christ.

SIMILAR PICTURES

The Raising of Lazarus

The Raising of Lazarus; Juan de Flandes; panel; Museo del Prado, Madrid

Web Gallery of Art

A representation faithful to the text: the tomb in a grotto, the dead man wrapped in bandages.

The Raising of Lazarus; 1500-25; miniature on vellum from a Book of Hours of the diocese of Liège; manuscript KB 133 D 11; Koninklijke Bibliotheek, The Hague.

Museum Meermanno

The Raising of Lazarus; GIOTTO di Bondone; 1305; fresco; Cappella Scrovegni (Arena Chapel), Padua, Italy

Web Gallery of Art

Here, on the contrary, Lazarus rises from the ground like the dead in the representations of the Last Judgement.

The Raising of Lazarus; 1425-75; miniature on vellum from a Book of hours of the North of France; manuscript KB 76 F 11; Koninklijke Bibliotheek, The Hague

Museum Meermanno

The Raising of Lazarus; 1490-1500; miniature on vellum from a Flemish Book oh Hours; manuscript KB 133 D 18; Koninklijke Bibliotheek, The Hague

Museum Meermanno

These representations put forward the crowd of witnesses; but what a difference in the treatment of Lazarus: one is an animated corpse; the other is reborn to life like a child.

The Raising of Lazarus; Sebastiano del PIOMBO; c. 1517-19; oil on panel transferred to canvas; National Gallery, London.

CGFA - A Virtual Art Museum

The Raising of Lazarus; Jan VERMEYEN; oil on wood; Triptych of the Micault Family; Royal Museums of Fine Arts; Brussels.

Web Gallery of Art

What a difference between those who put into emphasis the gesture and the words of Jesus and the one who eliminates Christ.

The Raising of Lazarus; after William BLAKE; drawing and watercolour whose original is in Aberdeen Museum; Tate Collection, London.

The Raising of Lazarus; REMBRANDT; 1630; oil on panel; County Museum of Art, Los Angeles.

Web Gallery of Art

The Raising of Lazarus; Vincent Van GOGH after REMBRANDT; 1890; oil on canvas; Van Gogh Museum, Amsterdam.

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BIBLE PICTURES © Serge Ceruti and Gérard Dufour 2008