BIBLE PICTURES © Serge Ceruti and Gérard Dufour 2008
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You have chosen this picture The Transfiguration; Lorenzo LOTTO; 1510-12 oil on wood; Pinacoteca Comunale, Recanati, Italy
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The Transfiguration |
What you can see in this picture……
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and in other pictures
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It should not be confused with
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The Ascension ; Jean COLOMBE ; 1485-89, illuminated manuscript from the « Hours of the Duke of Berry »; Musée Condé, Chantilly, France.
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The Ascension As here, Jesus is elevated above the ground where his disciples are, but this is the Ascension; he is by himself and the crowd at his feet are numerous. (See the Ascension)
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The Resurrection; El GRECO; 1596-1610; oil on canvas; altarpiece of Dona Maria College, Toledo, Spain
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The risen Christ The risen Christ is represented as he is going up above a crowd, but the latter are composed of soldiers guarding the tomb; moreover Christ often holds the Easter banner. (See the Resurrection of Christ) |
THE BIBLICAL NARRATIVE
The Transfiguration; Lorenzo LOTTO; 1510-12 oil on wood; Pinacoteca Comunale, Recanati, Italy
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The Transfiguration |
The Gospel according to Luke, chapter 9 Jesus has just announced that some disciples will see the Kingdom of God he took Peter and John and James, and went up into
a mountain to pray. And as he prayed, the appearance of his countenance
was altered, and his garment was white and glistering.
While he thus spoke, there came a cloud, and overshadowed
them: and they feared as they entered the cloud.
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Comment At his baptism, Jesus is designated by God as the Messiah, but this time he is with Moses and Elijah, the two great representatives of the Law and the Prophets. See the Baptism of Christ And with Peter, James and John who will be the witnesses of his death in the Garden of Olives as if they had to prepare themselves to recognize the luminous face of the transfigured Christ under the features of the crucified Jesus. See the Garden of Olives
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SIMILAR PICTURES
The Transfiguration |
The Transfiguration; Lorenzo LOTTO; 1510-12 oil on wood; Pinacoteca Comunale, Recanati, Italy
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The composition places Christ more or less high; Titian’s low angle shot is remarkable and adapted to the vault of a church. |
The Transfiguration of Christ; Giovanni BELLINI; c.1487; oil on wood; Museo e Galleria Nazionali di Capodimonte, Naples, Italy.
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The Transfiguration; Titian; 1560; altarpiece of the high altar; church of San Salvador, Venice Giorgio Vasari, Lives of the Artists
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Elijah and Moses are hardly differentiated in David whereas the illuminated manuscript gives to each of them their respective attributes: the tables and horns to Moses, the roll of prophetic words to Elijah. They are on equal terms with Christ or, on the contrary, reduced to secondary figures, especially when is added God the Father who recognizes His son in Jesus. |
The Transfiguration of Christ; Gerard DAVID; 1520; oil on panel; De Onze-Lieve-Vrouwekerk, Brugge, Belgium
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after The Transfiguration; 14th century; illuminated manuscript from the “small hours of Jean de Berry”; Bibliothèque Nationale de France, Paris
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This composition represents two scenes taking place at the same time. To the classical scene, Raphael adds another one covering more than half the painting. |
The apostles have remained at the bottom of the mountain and are trying to heal an epileptic child but they get no success. They will have to wait until the return of Jesus for the child to be cured. This narrative follows that of the Transfiguration in the Gospel according to Luke. |
The Transfiguration; RAPHAEL; 1520; oil on panel; Pinacoteca, Vatican
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BIBLE PICTURES © Serge Ceruti and Gérard Dufour 2008