BIBLE PICTURES   © Serge Ceruti and Gérard  Dufour 2008






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Doubting Thomas; Luca SIGNORELLI; fresco; Basilica di Santa Maria, Loreto, Italy.



Christ’s Apparition to Thomas



What you can see in this picture……

Two men are in a space closed by a curtain.

Jesus is risen. He is clothed in light. He has raised his left arm to show the wound in his side, the one made by the stroke of spear appearing through a hole in his shirt. The marks of the nails can also be seen on his hands.

The apostle Thomas leans to touch the wound in the side and put his right hand into it; he does not look at Christ.


... and in other pictures

The scene generally takes place in a closed room where the apostles and, sometimes, the Virgin are present. But Thomas and Jesus can also be found alone.

Christ is wrapped in a shroud-shirt but in a way to show his wounds, or he is bare-chested. Jesus shows the wound in his side and he invites Thomas to touch it. In the text, there is never any mention of the marks of the nails that are however visible.

Thomas is often standing or kneeling; he either turns his eyes towards his Lord like Magdalene, or he is fascinated by the wound into which pictorial realism leads him to thrust his finger.


It should not be confused with



Noli me tangere; Alonzo CANO; circa 1640; oil on canvas; Museum of Fine Arts, Budapest.

Web Gallery of Art



Christ’s apparition to Mary Magdalene

 is the matching piece to that to Thomas but, this time as she holds out her hand to touch him, Christ says to her “do not touch me” or “noli me tangere” in Latin

(see Apparitions to Mary Magdalene).





Doubting Thomas; Luca SIGNORELLI; fresco; Basilica di Santa Maria, Loreto, Italy.



Christ’s Apparition to Thomas

The Gospel according to John, chapter 20

But Thomas, one of the twelve, called Didymus, was not with them when Jesus came. The other disciples therefore said to him : "We have seen the Lord !" But he said to them: "Unless I see in his hands the print of the nails, and put my finger into the print of the nails, and thrust my hand into his side, I will not believe." And after eight days his disciples were again inside, and Thomas with them: then came Jesus, the doors being shut, and stood in the midst, and said : "Peace be to you." Then he said to Thomas: "Reach your finger here, and behold my hands; and reach your hand here, and thrust it into my side: and do not be faithless, but believing." And Thomas answered and said to him : "My Lord and my God !" Jesus said to him: "Thomas, because you have seen me, you have believed: blessed are those who have not seen and yet have believed." (John 20:24-29)



 The apparition narratives show how Jesus gives himself to be seen to the witnesses he chooses, in order to strengthen them in their certainty that he remains with them.

They must recognise the crucified Christ of the Passion in the risen Christ of Easter.





Christ’s Apparition to Thomas





Doubting Thomas; Luca SIGNORELLI; fresco; Basilica di Santa Maria, Loreto, Italy.




The scene takes place among all the apostles who themselves have believed at the previous apparition. Rembrandt adds the Virgin Mary and emphasizes Thomas’ profession of faith in Christ, the true source of light.



The Incredulity of St Thomas; Giambattista CONEGLIANO; 1502; oil on panel; National Gallery, London.

  National Gallery London



The Incredulity of St Thomas; REMBRANDT; 1634; oil on wood; Museum of Fine Arts, Moscow.

 Web Gallery of Art



The realism of Thomas touching Christ’s wounds is more or less pronounced. Caravaggio gives a disquieting dimension to the scene.



The Incredulity of St Thomas; CARAVAGGIO; 1602; oil on canvas; Sans Souci Palace, Potsdam, Germany.

Art Resource



The Incredulity of St Thomas; Peter Paul RUBENS; 1614; oil on canvas; Koninklijke Museum voor Schone Kunsten, Antwerp, Belgium.

Web Gallery of Art



Medieval art standardizes the gestures of Christ and Thomas but gives priority to the exchange of the two glances. What a magnificent composition the group of apostles is at Silos.



The Incredulity of St Thomas; bas relief, Church of Santo Domingo de Silos, Spain




The Incredulity of St Thomas; circa 1200; miniature on vellum; manuscript KB 7 F 5; Koninklijke Bibliotheek, The Hague.






Thomas’ doubts

and his quest for tangible proofs have remained very popular, hence the phrase “to be like St Thomas” which means “to be always doubting”.

His reputation for doubting has been such that a legend says that at Mary’s Assumption (see The Woman of Revelation) as he was still absent, she let her belt fall to convince him she had risen to Heaven.




BIBLE PICTURES   © Serge Ceruti and Gérard  Dufour 2008